"Start the clock..."
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Aboard the Orient Express Mrs. Pitt & her granddaughter are having dinner when the elderly lady spies...
...a mummy!
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Probably why it actually went out at 8.35pm on first (UK) broadcast! That's a late teatime!
It's a mummy that only she can see...
...and which kills her with its touch!
"I need a Doctor!"
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The Doctor & Clara arrive together - a bit unexpected after the bollocking she gave him last time out.
While they're at least on speaking terms Clara has decided she doesn't hate the Doctor but this is a "last hurrah".
This Orient Express is a space train, winding through the galaxy...
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Has to be said the costume design in this story is gorgeous. Capaldi's Hartnell riff & Coleman's flapper dress.
Everything aboard is in a mock 1920s style...
...including Foxes' cover of the Queen song Don't Stop Me Now.
...including Foxes' cover of the Queen song Don't Stop Me Now.
The onboard computer, GUS, welcomes everyone aboard.
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Clara tells the Doctor that "hatred is too strong an emotion to waste on someone that you don't like," to explain how she came to terms with the events of Kill the Moon.
Maisie seems disturbed, and calls the Doctor a liar...
What a funny coincidence that for a "random" trip the Doctor's brought her to a space train with a killer mummy!
The Doctor talks to himself...
...while Clara phones Danny, promising there's no danger and that she'll dump the Doctor.
The Doctor talks to himself...
...while Clara phones Danny, promising there's no danger and that she'll dump the Doctor.
Capaldi's Tom Baker impression is spookily uncanny. Brilliant touch.
Mark Walker@Mark_Walker I think this is where Capaldi fully established himself as The Doctor for me. I did like him from the start, but I think this is where it kind of 'cemented' for me.
The Doctor, nosey parker, meets Perkins, shifty chief Engineer.
Resident AI "GUS" denies Clara and Maisie access to the mummy's tomb... er, carriage.
The Doctor interrogates an Egyptologist for the legend of the Foretold - the Mummy that kills in 66 seconds.
Love the jelly babies in the cigar case. Brilliant touch.
Mark Walker@Mark_Walker loved that moment!
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The Doctor, nosey parker, meets Perkins, shifty chief Engineer.
Resident AI "GUS" denies Clara and Maisie access to the mummy's tomb... er, carriage.
The Doctor interrogates an Egyptologist for the legend of the Foretold - the Mummy that kills in 66 seconds.
Love the jelly babies in the cigar case. Brilliant touch.
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In the kitchens, the Foretold wants a word with the Chef... obviously wasn't a fan of the menu.
As to 12's apparent coldness, check 4 roll away Lawrence Scarman's dead body...
John Mark Frankland@JMFrankland FOUR MEN SARAH. He knows about the poacher too, without even seeing or speaking to him. Cold?
As to 12's apparent coldness, check 4 roll away Lawrence Scarman's dead body...
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I'm pretty sure that Missy was behind GUS. Although I like to imagine a John Sessions Master between Simm & Gomez!
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Well, only cos that's who does GUS's voice i.e. GUS=the Master. But more likely just a voice programmed by Missy.
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"I'm not a passenger. I'm your worst nightmare."
"A mystery shopper. Oh, great."
"A mystery shopper. Oh, great."
The Doctor hasn't got time for Captain Quell's denial, and challenges him to stand up and be counted.
The mysterious Perkins is on the case. "Yes, sir. I'm obviously the mummy. Or perhaps I was already looking into this."
Clara and Maisie have a heart to heart whilst locked in the carriage, and put the boot into the Bechdel test while they're at it. "We're stuck in this carriage, probably all night, and all we can talk about is some man?" We see what you did there.
Reviewing the security footage of Mrs. Pitt's death, Perkins notes that it's 66 seconds from the flickering of the lights to the old woman's lights out.
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The "stupid sonic screwdriver" isn't working, so Clara's trapped as the sarcophagus opens to reveal...
...nothing!
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But the Foretold is on the loose elsewhere!
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Once the Doctor rumbles that the assembled eggheads have been brought together deliberately, the facade drops...
...and they see that they're really in a hi-tech lab.
The Doctor takes charge...
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Definitely; an off-kilter performance finely judged to make him the plucky ally you can't *quite* trust...
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Of course, the Doctor's not really in charge, as "GUS" reveals itself & blackmails them into doing its research...
When the Foretold targets Professor Moorhouse...
...the Doctor hopes to gain valuable insight...
...but the Professor wastes his 66 seconds trying to bargain for his life.
Clara's incarceration has proven rather more useful. She's discovered that the Orient Express is just the latest in a long line of failed attempts to discover the secret of the Foretold.
When the Doctor won't hang up on Clara, GUS ejects some kitchen staff out into space.
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A connection is made... the Foretold targets the weakest, the closest to death.
And that puts Quell in the frame next.
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Quell is able to give the Doctor some useful scraps of info before he meets his end.
"A man just died in front of us. Can we not just have a moment?"
"No, no, no, we can't do that... People with guns to their heads, they cannot mourn!"
Perkins is rattled by the Doctor's seeming indifference.
"You know, Doctor, I can't tell if you're a genius or just incredibly arrogant."
"Well, on a good day, I'm both."
"GUS" has been trying to lure the Doctor for quite some time: "He has tried to entice me here before. Free tickets, mysterious summons, he even phoned the TARDIS number."
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He cares about everyone at once, and can't or won't break that down to an individual level as it would impede him; hence "cold".
The Doctor's brain races to make the connections.
It's a soldier...
...the scroll is a flag...
...the war is over...
"We surrender!"
For the Foretold, the war is finally over.
The downside is that now GUS has the technology that animated the corpse of the Foretold and equipped it with cloaking and teleportation technology it doesn't need any of the scientists.
As GUS pumps out the air, the Doctor works frantically to save everyone.
But GUS has a more explosive conclusion in mind.
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Capaldi's subtle Cushing homage is a very obscure 'Easter Egg'!
"No, I just saved you and I let everyone else suffocate. Ha, ha, ha..."
"So you were pretending to be heartless."
"Would you like to think that about me?"
"Sometimes the only choices you have are bad ones - but you still have to choose."
No, Perkins, go with him!
Clara realizes she's addicted to Doctor Who!
Now she's lying to the Doctor, telling him that Danny's fine with them travelling together.
"What are you waiting for? Let's go!"
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Totally agree :-)
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TTFN! K.
Coming Soon... The Curse of Peladon
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